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on the trail of origin

The World Museum brings together extensive collections, from natural history to ethnology. For the provenance researchers at the house, this means they have their hands full! But what exactly does provenance research do?

The aim of provenance research is to break down the origin of objects, this applies to works of art as well as natural history or ethnographica. Starting with the respective object, index cards, inventory book entries or archives can provide clues: how a collection got into the museum, where it came from and who it originally belonged to. The starting point is always the question of whether the objects are legally owned by the museum today, or whether they come from an »illegal context«. Provenance research has established itself as an essential part of museum and collection work, especially in the last few decades. A milestone in this development was the Washington Conference, which in 1998 first laid down how cultural assets confiscated by the National Socialists were to be dealt with. As a result, many museums began examining their own holdings and disclosing problematic provenances.

This was accompanied by a critical look at the »museum institution« itself: its roots go back to the 19th century, to the peak of colonialism, »collection mania« and supposed European superiority. As a result of these guiding principles, numerous non-European objects, animal preparations and a few human bones found their way into museum collections, including the then Provincial Museum in Hanover.

After 1933 and up until the post-war period, those responsible for the State Museum, like many other museums, appropriated cultural assets from the possessions of people who were persecuted during National Socialism.

 

Uncovering this “delicate legacy” of both the colonial period and National Socialism is the goal of provenance research, which therefore requires a lot of sensitivity. In this sense, the Hannover State Museum strives to have a transparent dialogue with descendants of persecuted people and representatives of communities of origin in order to develop common solutions.

The provenance research network is also based at the Landesmuseum Hannover, which comprises around 70 members and partners in Lower Saxony, acts in an advisory capacity throughout Lower Saxony in the field of provenance research and, among other things, initiates and accompanies projects here and conducts training and further education.

examples from the collection

Fossil of a fish dinosaur, Lower Jurassic, 190 million years, Department of Natural History, inventory no. PAL 106234

An Fischsaur from the Swiss trade - more was not known in 2013, when the permanent loan for the Department of Natural History was to be purchased. Ultimately, provenance research was able to give the green light because the fossil had been traded legally. In addition, the research provided crucial information about the origin: The fish dinosaur in the NaturWelten comes from Doniford Bay, Sommerset Coast, on the English coast, which is ultimately also reflected in the Latin name (Ichthyosaurus sommersetensis).

Throne of a dignitary (fon), Cameroon, acquired in 1931 from the ethnographica dealer Julius Konietzko, Hamburg, department of ethnology, inventory no. 8416

Colonial echo – the Hanover State Museum is one of the initiators of the project »PAESE«, in the context of which the five largest ethnographic collections in Lower Saxony researched objects from colonial contexts: The throne depicted is one of several hundred pieces that were collected during the German colonial period in Cameroon (1884-1916).

Alexandre Calame, »Evening Forest Landscape«, around 1860, FB Landesgalerie, inventory no. PNM 706

»Provenance open (questionable) 1933-44« – The painting »Evening Forest Landscape« was bought by an art dealer who was also supplying the »Sonderauftrag Linz« in the middle of the Second World War on a »Paris shopping trip«. It was not possible to determine who the work originally belonged to through provenance research, but a so-called Nazi persecution-related confiscation in France, which was then occupied by the German Reich, is more than likely. Descendants of potential previous owners could have the lost art-Database of the German Lost Art Foundation on the Painting by Alexandre Calame where the State Museum also publishes objects of dubious or unclear provenance.

 

Mussels in the magazine of the department of natural history

Mussels and provenance research? Since 1973, the Washington Convention on the Protection of Endangered Species has protected endangered animals and plants. For this reason, newly offered natural history collections are checked to see whether parts of them may have been exported or traded illegally.

 

Shoes, North Africa, before 1879, Department of Ethnology, inventory no. ET 1318/1319

From Kassala to Hanover: The “pair of red leather shoes” has come a long way. In 1877/78, "Reiche's Caravan from Nubia" toured through Germany - in order to take onlookers into a seemingly authentic "Nubian world", the animal dealer Carl Reiche, based in Alfeld, Lower Saxony, exhibited not only animals, but also people. On the occasion of the demonstrations, a participant may have worn these shoes, which the museum acquired from Carl Reiche in 1879 and which could be associated with the “Caravan”. The Provenance Research Network has initiated a project to research the trading networks of the Alfeld animal dealers Reiche und Ruhe.

Johann Jakob Dorner, Path at the edge of the forest with hikers, watercolour, State Gallery department, inventory no. Phz 1512

»Provenance clarified/unobjectionable«: Two graphics by Johann Jakob Dorner, acquired in 1934 from the auction house CG Boerner, Leipzig, which is proven to have also dealt in Nazi-looted goods. A look at the back of the sheets reveals the stamp »PA«, which refers to Paul Arndt (1865–1937), a collector of Jewish origin – but the National Socialists were not aware of this. In this case, the reason for the sale was not persecution, but Arndt's financial losses during the global economic crisis of 1929 - an example of the fact that each individual case has to be examined and evaluated separately.

Verso of the watercolor with collector's stamp »PA«

good to know

lost art database

In the run by the German Lost Art Foundation Database search and find reports as well as information on restitutions of cultural assets that have already taken place and which were confiscated as a result of persecution during the National Socialist era.

german center for lost cultural assets

The German Center for the Loss of Cultural Property has been the national contact for provenance research on Nazi-looted items (since 2015) and collections from colonial contexts since 2019 and provides funding for research projects.

washington principles

The "Washington PrinciplesIn 1998, principles were laid down for the first time on how to deal with cultural assets confiscated by the National Socialists. For the Federal Republic of Germany, these principles were laid down in the "joint statement' Confirmed in 1999.

paese project

The Lower Saxony joint project PAESE was funded by the Volkswagen Foundation in 2018-22 and researched the origin of selected items in the five largest ethnographic collections in Lower Saxony together with representatives from regions of origin.

paese database

The PAESE database served the transparent documentation of the bundles researched in the PAESE project. It has been operated by the Provenance Research Network in Lower Saxony since 2022 and is open to all institutions in Lower Saxony.

network of provenance research in lower saxony

The Network Provenance Research in Lower Saxony was launched in 2015 by the Lower Saxony Ministry of Science and Culture and includes museums and collections from all sponsors as well as archives, libraries and associations. Results of projects carried out in Lower Saxony have been published in a separate series of the open access network published.

contact

Dr. Claudia Andratschke
provenance researcher
Head of Collections + Research
Coordinator network provenance research in Lower Saxony
claudia.andratschke@landesmuseum-hannover.de

Louisa Marie Hartmann
Scientific trainee provenance research
louisa.hartmann@landesmuseum-hannover.de

Maik Jachens
Research Associate Provenance Research
maik.jachens@landesmuseum-hannover.de

Annekathrin Krieger
Research Associate Network
Provenance research in Lower Saxony
annekathrin.krieger@landesmuseum-hannover.de